A big current draw to Dia:Beacon are the dance performances by choreographer and filmmaker Yvonne Rainer. The works are installed in appropriately darkened spaces downstairs. Fans of time-based media must see Circa 1971: Early Video & Film from the EAI Archive, a selection of video and film works by members of the Electronic Arts Intermix. In addition to the permanent works on display, look for special exhibitions. I would imagine this would be an especially delightful experience when the trees bloom in the garden in the springtime. In the work, Lawler chirps and mimics the names of established male artists in the art world. Be sure to step outside the museum to the west garden to hear Louise Lawler's Birdcalls (1972/1981). 884/1-6, 2003 following the lines of Sol LeWitt's wall drawings comparing early and late paintings by Agnes Martin and exploring the brick-lined attic filled with works by Louise Bourgeois, especially walking under the insect legs of Crouching Spider (2003). So much more to share - among them, sitting on a bench and looking at smoky-shaded reflections in Gerhard Richter's Six Gray Mirrors No. Other than a longer and complicated trip to the Chinati Foundation in Marfa, Texas, Dia:Beacon affords the most light-filled space to view Chamberlain's works. The floors are cleaner than your mechanic's, though they still sport a texture and sheen that makes them comfortable for walking. At Beacon, they have room to breathe, like the result of an artful prankster in a giant auto body repair shop. While the current retrospective at the Guggenheim Museum presents a representative sample of the late artist's expressionist multi-candy-colored collage sculptures, the car parts of which they are made look different here than in Wright's museum. Yet, of course, one becomes well aware of Flavin's brilliant inventiveness, of his art.Īs with Flavin's fluorescents, the materiality of John Chamberlain's works - parts of cars - also shine in the context of a former factory. Tatlin series, various dates (1964-1981), his well-known fluorescent light series inspired by Tatlin's unrealized Monument to the Third International (1920), work ingeniously in this space.* Mounted on angled floor panels and well lit by natural light, the fluorescent light bulbs look utilitarian and industrial, their mundane materiality much more apparent than in a museum. It's uncommon to experience such deep vanishing points in interior museums, especially in the long side galleries housing the Flavin and Chamberlain works, spaces the size of football fields. Before even seeing art, it takes time to adjust to the feeling of the space, with its soaring high-beamed ceilings and skylights. The real walking begins inside the building. The walk from the train station in Beacon to Dia is a short one, as indicated on the map below, but a shuttle can also provide transportation for a couple of dollars. Outdoor landscaping by artist Robert Irwin. Considering that MoMA now charges $25 a visit, this art trip up the Hudson seems affordable, especially when you toss in the splendid river views and the cheap thrill of being out of town. From Grand Central, the package currently costs $31.50. As one of several One-Day Getaway packages offered by MTA, visitors can buy a special ticket for a discounted round-trip train trip to Beacon plus a discounted admission ticket to the museum. The train ride lasts about an hour and twenty minutes, though seemingly faster while gazing at the famous Hudson River Valley landscapes along the way. So finally, this past Sunday, a particularly bright day of clear blue skies and cool temperatures, I made the trip.Ī visit to Dia:Bacon is not only easier than I imagined but also more affordable. For whatever reasons, I've delayed going, but recent in-town visits to see the work of Dan Flavin at The Morgan ( see previous post) and John Chamberlain at the Guggenheim made me want to see more of their work. Housed in a former Nabisco printing plant, the museum's vast interior is known for providing the needed light, space, and air for the Dia Art Foundation's unsurpassed art collection. Ever since the museum’s opening in May 2003, I've wanted to travel up the Hudson River to Beacon, New York to check out this factory repurposed for art. As an art destination, Dia:Beacon has long been on my to-do list.
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